Codecs, bitrates, master sets, subtitle and audio elements, artwork, documentation and the manifest — published, so technical diligence doesn't need a meeting. Including the two things we can't give you.
| Property | Value |
|---|---|
| aspect / resolution | 9:16 native, 1080 × 1920 (vertical) |
| codec / container | H.264 / MP4 |
| frame rate | 24 fps |
| video bitrate | ~2.6–4.7 Mbps VBR — per-file measured values ship in the manifest |
| subtitled masters | Burned-in English subtitles, ready to publish as-is |
| clean textless masters | No burned-in subtitles, logos or watermarks — same edit, grade and loudness pipeline. This is the set you localize from. |
| Element | Value |
|---|---|
| full mix | Stereo, AAC 48 kHz on delivery masters, loudness-normalized through the delivery pipeline |
| score / music | Isolated music track per episode on request, 48 kHz stereo WAV — procedurally generated and owned by the licensor, so there is no third-party music clearance in the chain |
| dialogue | Dialogue track per episode on request, with embedded ambience |
| subtitles | Episode-matched English SRT, filename numbering identical to the video files |
| scripts | English dialogue scripts available per episode |
Licensor of record: Dawnwood Inc., a Delaware corporation. Every title is produced in-house: no third-party footage, no stock, no licensed music embedded. Chain-of-title documentation and an AI production disclosure — which elements are synthetic (imagery, motion, voice) and which are human-authored (story, script, edit, QC) — ship with every delivery, alongside per-episode edit provenance. Platforms with an AI-content policy get the disclosure they need to classify the title correctly on arrival, rather than discovering it later.
Each rung is earned by the previous one. This is why a first email doesn't come back with master files attached — and it's the same ladder for everyone, so nobody has to negotiate for it.
Tell us about the platform and we'll send watermarked screeners of the titles that fit.