Dawnwood / Use cases / Story to Series
SERIES FACTORY · STORY INTERVIEW

Your story in. A series brief out.

The hard part of turning something you lived through into a drama is getting the inner story out. Dawnwood's interviewer asks one question at a time — what happened, the hardest decision, who stood against you, the moment it turned — and after about ten answers writes a series brief you can edit and send straight into a season run.

Interview & brief free · no credits used · answer in any language
THE CAPABILITY, PLAINLY ~10 questions, one at a time 0 credits for interview & brief 3–7 characters drafted privacy on by default
THE POINT

A blank premise box is where personal stories die.

What does the story interview do? It replaces the empty “describe your series” field with a conversation. You start anywhere — “I ran a company and lost it,” “my family never forgave my sister” — and the interviewer follows the vivid details, asks for scenes instead of abstractions, and moves on to what is still missing. When there is enough to write from, it produces a brief: title, logline, premise, characters, tone, era, audience, theme and a suggested episode count. That brief becomes the first page of a normal Dawnwood season run.

HOW IT WORKS

Talk it through. Edit the brief. Start the season.

01 · TALK
One question at a time
The first question is simply “What’s the story you want to tell?” Each next question builds on your last answer and covers what’s missing: the decision, the opposition, the allies, the turn, what viewers should keep. Skip any question you like.
02 · BRIEF
A brief you can edit
The brief names the lead, what they want and what stands in the way, with three to seven characters and truth notes showing what is true, what is dramatized and who was renamed. Change anything, or ask for a redraft.
03 · SEASON
The brief starts a run
One click turns the brief into a season run: the bible, the episode scripts and the cast are drafted from it. Run it on Auto, or step through each stage yourself.
WHO IT'S FOR

For people with a story, not a screenplay.

FOUNDERS & OPERATORS
The company you built, as a parable
Startups, layoffs, a partner who walked away: the interviewer pulls out the decision points and turns them into episodes that end on a hook, with every colleague renamed.
COACHES & CREATORS
The idea you keep arguing for
A point of view becomes a lead with something to prove and someone to prove it to — a theme your audience will argue about in the comments.
FAMILY & MEMOIR
Lived experience, dramatized
Keep the emotional truth, exaggerate the events where the drama needs it, and decide how close to the facts the series stays.
PRICING

The interview is free. So is the brief.

$0 TO START · 500 CR ON SIGNUP
The interview and the brief use no credits. The season run it starts writes the bible and the first two episode scripts for free on the Free plan, and 500 credits on signup can cover first-episode characters and the first rendered segment; from there Creator at $29/mo bundles 380 credits a month. Rendering burns 5 cr per output second (Super mode 10) and failed jobs are never charged.
Start your story
QUESTIONS

Asked before you asked.

What is the story interview?
A free, one-question-at-a-time conversation in the Dawnwood console. The interviewer asks about what happened, the hardest decision, who stood against you, who helped, the turning point and what viewers should walk away thinking — usually about ten questions — and then writes a series brief from your answers.
Does it cost credits?
No. The interview and the brief are free and do not use your credits. The brief then starts an ordinary season run: the bible and the first two episode scripts are free on the Free plan, and the rest of the season is written after your first purchase. Credits are spent on art, voices and rendered video, always at the price shown before you confirm.
What do I get at the end?
An editable series brief: a title with alternatives, a logline, a premise, genre, tone, era and setting, the audience it is for, the theme, three to seven characters, a suggested episode count, and truth notes that list what is true, what is dramatized and who was renamed.
What happens to the real people in my story?
Privacy is on by default. Every character based on a real person gets a new name and changed identifying details, minor figures are merged into composites, and real company names become fictional ones. Conflicts are written as dramatized fiction, not as claims about real people. Your interview transcript is visible only to you.
Can I answer in a language other than English?
Yes. The interviewer asks in the language you answer in, and the brief is written in that language.
Who is it for?
Founders, coaches, writers and anyone with a lived experience or a point of view they want to turn into a parable with characters, conflict and cliffhangers, without starting from a blank premise box.
KEEP GOING

The brief is the first page of the pipeline.

START NOW

Start anywhere. What happened?

Ten questions, a brief you can edit, and a season run that starts from it — the interview and the brief are free.